24.002 file audio bebas royalti untuk "Audio Files Of Music By Parttayakoson Band"

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

The Gnostic Bible (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said, I shall choose you as one from a thousand and as two from ten thousand and they will stand as a single one."

The Gnostic Bible* (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said to them, When you make the two into one, and when you make the inner like the outer and the outer like the inner and the upper like the lower, and when you make male and female into a single one, so that the male will not be male nor the female be female, when you make eyes in place of an eye, a hand in place of a hand, a foot in place of a foot, an image in place of an image, then you will enter the kingdom." The Gospel of Thomas is a Coptic text with many different variations. This version (from the Gnostic Bible) is the most likely source for these two titles, based on what we know of BoH's interest in religion and how exactly the phrases match.

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

Speech sampled in the piece comes from Peter Brook's 1979 film adaptation of G.I. Gurdjieff's book Meetings with Remarkable Men.

In the Walls of Eryx, H.P. Lovecraft and Kenneth Sterling "Prehistoric human invasions of Venus can be pretty well ruled out, so that one must turn to the idea of native construction. Did a forgotten race of highly evolved beings precede the man-lizards as masters of Venus?"

Household Gods, Aleister Crowley "ALICIA: Yes! in that shadow lurks a smile. See; from that jagged cloud Diana starts Like a deer from the brake; her silver splendour darts Through the crisp air to the grove upon the isle... Do you see her? Do you see her?"

A Bull of Heaven musical piece.

Death, Percy Bysshe Shelley "First our pleasures die--and then Our hopes, and then our fears--and when These are dead, the debt is due, Dust claims dust -- and we die too."

At the Mountains of Madness, H. P. Lovecraft "Another race - a land race of beings shaped like octopi and probably corresponding to fabulous pre-human spawn of Cthulhu - soon began filtering down from cosmic infinity and precipitated a monstrous war which for a time drove the Old Ones wholly back to the sea - a colossal blow in view of the increasing land settlements."

The Shadow over Innsmouth, H. P. Lovecraft Part II "There was only one person in sight—an elderly man without what I had come to call the 'Innsmouth look'—and I decided not to ask him any of the questions which bothered me; remembering that odd things had been noticed in this hotel... One side of the cobblestoned open space was the straight line of the river; the other was a semicircle of slant-roofed brick buildings of about the 1800 period, from which several streets radiated away to the southeast, south, and southwest."

The Gnostic Bible (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said, I shall choose you as one from a thousand and as two from ten thousand and they will stand as a single one."

The title comes from a speech given by Prabhupada Bhaktivedanta, which is also the speech sampled in the piece.

A Bull of Heaven musical piece.

Laus Deo, Sydney Dobell "'He is not dead, but sleepeth,' said the Priest, and smooth'd his brow. 'Sleepeth?' said she, looking up, and the sun rose in her face! 'He must be better than I thought, for the sleep is very sound.'"

A Bull of Heaven musical piece.

The Premature Burial, Edgar Allan Poe "In fact, I no longer dared trust myself out of the immediate presence of those who were aware of my proneness to catalepsy, lest, falling into one of my usual fits, I should be buried before my real condition could be ascertained. I entered into a series of elaborate precautions. Among other things, I had the family vault so remodelled as to admit of being readily opened from within."

The third and final movement of the suite Looking Upward by John Philip Sousa, "Mars and Venus", played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

The march "New York Hippodrome" by John Philip Sousa, played by the United States Marine Band. Performed October 30, 2007 in Newport, Rhode Island during the 2007 National Concert Tour. Col. Michael J. Colburn, conducting.

The Liberty Bell performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 2 from Ceremonial Music (1993)

The march "The Fairest of the Fair" by John Philip Sousa, played by the United States Marine Band

John Philip Sousa's march "The Man Behind the Gun", played by the U.S. Marine Band for the album Uncommon Valor.

The second movement of the suite Looking Upward by John Philip Sousa, "Beneath the Southern Cross", played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

The march "On the Campus" by John Philip Sousa, played by the United States Marine Band

The first movement of the suite Looking Upward by John Philip Sousa, "By the Light of the Polar Star", played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

The march "Jack Tar" by John Philip Sousa, played by the United States Marine Band

John Philip Sousa's march "Powahatan's Daughter", played by the United States Marine Band

The march "The Gladiator" by John Philip Sousa, played by the United States Marine Band. Recorded November 4, 2006 at the Curtis M. Phillips Center for the Performing Arts in Gainesville, Florida. Lt. Col. Michael J. Colburn, conducting.

John Philip Sousa's march "Bullets and Bayonets", played by the United States Marine Band

The march Sabre and Spurs by John Philip Sousa, played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

Manhattan Beach performed by the Ceremonial Brass and Concert Band of the United States Air Force Band. Track 4 from Ceremonial Music (1993)

John Philip Sousa's Jack Tar March, performed by the U. S. Navy Band's Ceremonial Band

John Philip Sousa's march "Sound Off", played by the U.S. Marine Band for the album Sound Off!.

Ambroise Thomas's overture to the opera Raymond, ou Le secret de la reine, played by the United States Marine Band for the album Overtures, Volume Two.

Go Tell It on the Mountain (jazz version) performed by the Diplomats of the United States Air Force Band. Track 7 from Do You Hear What I Hear? (2002). Frank Pappajohn, conducting.

John Philip Sousa's march "The Stars and Stripes Forever", performed by the U.S. Marine Band.

Arrangement of Legend for castanets, bass and guitar Čeština: Hudební skladba Asturias (Leyenda) nebo pouze Leyenda španělského skladatele a klavíristy Isaaca Albénize (1860-1909). Эрзянь: Астурия (Валкортамонь невтема) эли Валкортамонь невтема — те седямонь сёрмадовксось, арсицязо Исаак Альбенис (1860-1909), испанонь седийсёрмадеесь, пианосоналксиесь. Kompozycja Asturias (Legenda) hiszpańskiego kompozytora i pianisty Isaaca Albéniza w aranżacji na kastaniety, bęben i gitarę.

Tiger Rag performed by the Dixie Players of the United States Air Force Heritage of America Band. Track 15 from Dixie Parade (2002). Recorded May 2002 at Windmark Studios in Virginia Beach and mastered by Alan Silverman of New York.

We Three Kings performed by the Airmen of Note of the United States Air Force Band. Track 7 from A Holiday Note From Home (2005). Recorded June 20-24 & July 7, 2005 at Bias Studios. Credits: Alto Saxophone [Jazz] – MSgt Andy Axelrad* Alto Saxophone [Lead] – TSgt Lucas Munce* Artwork [Cover] – Stewart Andrews Baritone Saxophone – TSgt Doug Morgan* Bass – CMSgt Paul Henry* Bass Trombone – CMSgt Dudley Hinote* Cello – MSgt Frank McKinster*, MSgt Vivian Podgainy* Directed By – SMCgt Joe Jackson* Directed By [Assistant] – MSgt Rich Sigler* Double Bass – MSgt William Hones* Drums – TSgt Dennis Hoffmann* Edited By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Engineer – Bob Dawson Guitar – TSgt Geoff Reecer* Management – CMSgt Dudley Hinote* Management, Directed By [Strings] – CMSgt Jane Bockenek* Mastered By – Charlie Pilzer Mixed By – MSgt Alan Baylock*, SMSgt Joe Jackson*, MSgt Rich Sigler* Percussion – SMSgt Pat Shrieves* Photography By – A1C Rusti Caraker*, Thomas Devins Piano – MSgt Steve Erickson* Producer – SMSgt Joe Jackson* Producer [Assistant] – MSgt Alan Baylock* Strings – The United States Air Force Strings Tenor Saxophone [Jazz] – MSgt David Stump* Tenor Saxophone [Lead] – TSgt Tedd Baker* Trombone [Jazz] – TSgt Ben Patterson*, MSgt Jeff Martin* Trombone [Lead] – SMSgt Joe Jackson* Trumpet [Assistant Lead] – MSgt Kevin Burns* Trumpet [Jazz] – MSgt Rich Sigler*, MSgt Tim Leahey* Trumpet [Lead] – TSgt Brian MacDonald* Viola – TSgt Bryce Bunner*, SMSgt Paul Swantek*, MSgt Sharon Bingham Wolfolk*, TSgt Wayne Graham*, TSgt William Hurd* Violin – MSgt Alexander Dean*, MSgt Cleveland Chandler*, SMSgt Deborah Volker*, TSgt Emily Barnes*, TSgt Gregory Pinney*, TSgt Henry Tyszler*, CMSgt Jane Bockenek*, TSgt Luke Wedge*, TSgt Mari Uehara*, TSgt Mark Dorosheff*, TSgt Mark Helm*, SMSgt William Tortolano* Vocals – TSgt Paige Wroble*

Scherzo h-moll op. 20 Fryderyka Chopina. Scherzo no. 1 in B minor, Op. 20 by Frederic Chopin.

St. Louis Blues - 9 bars, tenor saxophone

Sansoen Phra Barami (vocal be Mae Pun - Mae Pan) B.E.2450 ไทย: เพลงสรรเสริญพระบารมี บันทึกเสียงลงบนจานเสียงแบบปาเต๊ะร่องกลับทาง บันทึกเสียง ณ วังบ้านหม้อ ประมาณช่วงปี พ.ศ.๒๔๕๐ แบ่งเป็นเนื้อร้องไทยเดิม ขับร้องโดย แม่ปุ่นและแม่แป้น ดนตรีโดย แตรวงกรมทหารราบที่ ๓ และ เนื้อร้องละครดึกดำบรรพ์ (เจ้าฟ้านริศ) ขับร้องโดย หม่อมเจริญ และแม่เทศ ดนตรีโดยพิณพาทย์ดึกดำบรรพ์

National anthem of Uzbekistan (Uzbek Sovet) - rearrange Oʻzbekcha / ўзбекча: O'zbekistoning (O'zbekiston Sovet) Davlat Madhiyasi - rearrange

Anthem of Byelorussian SSR (Instrumental) - Парад 7 Ноября Минск

National Anthem of Uzbekistan (Uzbek Soviet) - 2 repeat instrumental

O'zbekistoning (O'zbekiston Sovet) Davlat Madhiyasi - short instrumental

Български: Мила Родино, национален химн на България, инструментал Mila Rodino, national anthem of Bulgaria, instrumental recording